The Fender Rhodes is briefly tickled when that familiar voice kicks in — the velvet voice of Elliot Lurie.
This is soft-rock at its core.
“Soft-Core” as some aficionados would call it.
But still — isn’t Looking Glass’ “Subway Serenade” in every way not a perfect album?
I define “perfect album” by a very demanding process.
Yes, a perfect album may contain some classics, that is irrelevant.
What matters in “perfect album” (trademark pending) is whether you can press play on track #1 and not hit “skip” on any tracks. It has to flow like a perfect album would. That can be an album like The Beatles’ “Revolver” but not an album like “Sgt Pepper” (admit it, you skip “Within You Without You” every time.)
And this album fulfills that role.
They’re from Brooklyn, in the 1970s, when Ford told NYC to “Drop Dead.”
When all hope is lost, you turn to music, religion, and drugs. But especially religion.
But Looking Glass turned to music. This is important, because this is the crux of “Subway Serenade.”
I know you only know Looking Glass because of “Brandy (You’re a Fine Girl)”
That’s OK. We all get into bands because of their hits.
But this album, riding the wave of “Brandy” was a masterpiece, should have been received better than it was. Maybe it was the NYC punk scene gaining momentum, or maybe it was James Taylor’s fault.
Point is, this is a great album many forgot.
I dare you. I double dog dare – nay – I triple dog dare you to listen to “Who’s Gonna Sing My Rock and Roll Song” when in a down mood and not sing along. It’s easy, it’s fun and it’s beautiful.
This is an album for the hopeless, to give them one ray of hope before they descend into depressive madness.
The album starts off with “Jimmy Loves Mary Anne,” the single they introduced as a follow up to “Brandy.” It’s a great starter, capturing that Fender Rhodes star of the show in Larry Gonsky’s Bachesque playing.
“City Lady” gives us an example on why Larry Gonsky is the real star of the band.
And it flows, and flows, like the Hudson River or time itself.
This album is the 70s.
Accept no imitations.



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